12.1.18

Rio Grande Wind and Three More (from Ipswich at War)




Rio Grande Wind

In the Dallas airport,
I’m on the way
to greet my mother’s death.

Three accused priests
by the pay telephone:
One of them says
the sky is falling,
The other two say,
“No, we are rushing
To meet the wind,
moon, sun and stars
With a gravity
We’ve come to call
Forgiveness.”

It was a horrible, horrible ride,
God throwin’ stones
in the sky. Every passenger
had a tale to tell about the way
the wings rang cell phones
and the fuselage buckled
in the Rio Grande wind.

Stuck at the terminal
I had an “estresso”
and thanked the Lord;
the small things being
just small enough.
DFDubya was a zoo
with American animals,
Cold and huddled,
dumped off like refugees
in the Rio Grande rain;
a hub of darkness,
as total darkness glows,
when it covers flesh
close to the ground.

So I floated around,
the lost and lonely
disembodied ranger,
Wild and terrified
at the fragile fullness
of being me, exposed;
pulling my coat over
my left shoulder,
imagining how I must
seem to the gray-bearded
masters of Judaic lore.
The Rio Grande wind
had never rolled a leaf
quite this far before.

That’s the thing
about airports:
All of that anxiety
and bad energy.
Sometimes,
we have a life.
Sometimes,
you don’t want
to leave or wave goodbye.
But death is a meal
on the jittery flight,
the Rio Grande wind
Blowin’ ya, outta sight.

Do You Know Me?

Night basement
alley sweats
meet on
the fashionably iced
mountain resort street.
Our time together
is the fate we keep

Strolling circles
bone to bone,
the Maker is making
our Time together;
Time that bends
with the wind.

We got silly with sin.
You played a game,
puckered and stroked
and waved me home

You know where I live,
and lived with you I did.
My penny price
was a plastic flower,
and poetry …

Enough!
Magic in a broken
bottle of vitamins.
Enough!

William Blake
kissed and ran,
ran and kissed.

Albion’s son took
safe harbor
in the box canyon's shadow
of mountain and mist;
Lingering there in early
afternoon cold shade;
and in the darkness,
howling at his phantom's
fire by electric streetlight.

His mind got quiet
out there, somewhere.
She saved a single
scrapple of soul,
petting his dry skull
as the river ran by.

He starved her,
got sorry later,
and fell in love.

Creek water ran
through their veins
and cleansed the salt
from his tear-duct dreams

They matched steps,
and in stepping claimed heights,
then showered to be sanctified,
then wined and dined, borrowing
on Telluride time ...

He wept and feared
and feared what she wept.
He wrote up a list of his faults,
or fell dead asleep trying:
Pride, shame, manic moods,
moments of empty bliss.

She pegged
her donkey
to a target,
sealed it
with a kiss

He was stunned
by the beauty
and purity of this.

Ulysses in Post-Industrial Hell

And this day,
this week of
the hammer of the law ...
a traffic ticket
for a miniscule complaint,
in which he,
a magnificent lost king,
was in virtual compliance,
now requires two different
court appearances
to avoid paying the fine ...

A far-flung Capricorn goat
on a tethered telephone line

“Massachusetts is a liberal state,
so there are many, many rules ...”
sayeth Ulysses, observing
the fallen coastal city
from a submarine periscope
within the wine-dark sea.

But then Poseidon's
sea-lash brewed again,
agonizing Ulysses anew
in his port of complaint:
“Six dollars! For what?
Breathing the air in Concord
home of the First Shot
Heard Round the World.
Paradise Lost, indeed!”

With great care Ulysses
crawls the water-rim of earth,
because the state will not let him be ...
Judgment cometh upon us all,
and we must all face Zeus alone,
Prometheus bound to wave-wet rock
In shackles and taxes and pay
and an unfortunate lack of shame.

He cries out to the shore,
“Make your hand close,
and my hand will closer be.”

He wished to see thy face
by thy river, in hopes she
were still dwelling there,
so that late at night
he would fall upon thee
in care and kisses
as seeds planted for evermore.

But he could ask not what
sick psychophants
dwell there, nor will you
lately, find he, for you see,
wind in a bottle becomes
a stale thing to breathe.

He slumbered off-shore
Afraid but safe, humdrum and alone,
safe from the doldrums of summer
or the Salem hangman’s scythe.

“Make your hand close,
and my hand will closer be,”
he still cries there,
lashed by waves,
chain-ganged along a highway,
told to sit still in a chapel,
an impertinent gull
eating dry scallions
by a poisoned pretty sea.

A Paranoid Plan for the Day

Yes,
there is a Santa Claus.
When you see him,
run as fast as you can.
You must trust me ‘cause
one such clown
killed my dad.

We will take the train.
It's cheaper. You can carry more things.
We don't need cars. They are dangerous,
foul smoke chokers, Satan's practical jokers,
unbreathing earth-eating unbeings.

How can you be a free-blowing leaf
if you are munching the bark of the tree?

When our work is done here, we'll escape,
perhaps the first part of the year. Before the bomb.
But I won't rush, or plan, till then we'll make our stand.
I'll just let the wind spirit make it so. Let the leaf blow.

In death, as in life,
before winter, beneath a blanket,
we will pretend we are dead.
we must till the soil. Bury ourselves.
Let each morning's bright light
tell us what we need to know.
Let the darkness instruct us
like the devil to his foe.

You seem to be
knowing less all the time,
sleeping more.
I'll bet you are sleeping,
but then, it's 2:30 a.m.

The muse has come to visit.

Wake up! Rise and wake up.
Get out of that house
before you become
a complete cynic,
a non-romantic robotic being.

You are not saving your family
by being Narcissus' siren
mirror to them now.

You write beautifully,
but that is a mere shadow
in the distortion machine.

I know. I cannot tell a lie
when I get inside.
In the real world,
the truth is a snake
that must uncoil its tail.

I was at the fire mound
last night in Ipswich,
and a man told me
an interesting story there
while we both watched members
of the Cape Anne Task Force
prepare for another raid.

He said the first secret agent of fire
left a Tyranosaur's claw in the rock,
and this geological imprint is known
to the local churchgoers
as "The Devil's Footprint."

Apparently, say the legends,
a great hoofed Satan
blew out of the fiery earth here,
broke out through the ground,
burning down the church.
The fire liar landed on the stone
and his hot talons
melted a scrape
into the molten earth.

I told this crazy guy,
"Hey, give the serpent a break.
It could have just been
the spirit of fiery Orc,
of poetic imagination,
fighting its way
through the logical
cold sphere of Urizen."

I told him: " these very churches,
pointing to the other one across the street,
were elements of those same cold waters
that dim the human spirit
as a necessary and beneficial
element of earth-bound control.

Then, he told me something even stranger.
He said, as a janitor
for that high-steepled church across the street,
which we visited, well,
there are five telephone lines
in the telephone tower, and catacombs
of freemason-like layers
in the basement and downward,
to the center of the earth.

That once, MIBs, who came
in unmarked black vans,
came to the church
bearing metal suitcases.
That they refused
to acknowledge
his humanity.

I told him: "Hey, do not fear
just because you've seen
something you do not understand.
All sides, dark or light,
are a part of the same unknowable plan
to immenitsize the escaton,
which is, translated,
to make ready and speedier
the return of Christ.
That the church tower
is simply an undercover facility,
due to its great height,
for U.S. government surveillance.
That is, Echelon, for lack of a better term,
on Great Neck, overlooking the bay."

He said people have seen
a great satellite dish come out
from underneath the ground
on Great Neck,

Which shouldn't surprise anyone, anymore.

Except for you skeptics out there
who can only see the sun,
and not the sun behind the sun.

Now, you have all that you need.

On the grey rock overlooking Ipswich,
the Devil’s footstep reveals the science
of the October spirits,
born when the black moon,
vanished from the sky, holds her
wintry horn. Wake up, it's morn.


Jail Pace on a Sunday

Wet snow falls in clumps
on a barbed wire fence;
Eyes through mesh,
a dream of democracies
crushing grim,
grim in the throat,
choking up, flowing out
In discountenance.

Once a prisoner pushed
his Shakespearean heart
through an electric fence;
His face turned to muck
and blood, and crossed a sea
to meet his hard-headed woman
at the palatial prance pace
of love’s familial intolerance.

But the snow fell harder
and the twisty tin wire
became a shovel,
the shovel became a plow,
the plow became a motor,
and the motor drove
the car over the edge.

Just as Aaron Burr shot
Alexander Hamilton
right above the heart,
the pendulum of law
is a swinging limb
of steel and foul weather.

The snow sticks upon
needle threads of green grass.
Middleton prison is summery
warm in January, even as cattle cars
are loaded with witches from Salem,
and even as shooting range guns sound off
in the distance and we trade
German Shepherd shouts,
for brief bouts of Gaelic ire
to cause of lost love is punished.

Shout. Shout out for plainspoken truth!
The Constitution is a cold and wet tissue
in the lavatory bowl of the discontented and damned,
and that carcass out there, over the fence,
marring your view due to the barbed wire,
is a twinge of agony over the breeze,
while Lefty here, taught to swing right,
he paces out his misfortune across the floor.
Unfortunate in the choice his DNA made,
unfortunate in the dice that fell the day he was born.
He’s sneezing up dustbunnies, phlem and TB,
straining his eyes through his jail cell's glass
to catch a glimpse of primal football on TV.

The newly unbearded Aaron Burr is in caves
somewhere, in Pakistan, Maui or Peru,
flicking out a light, turning on a flashlight.
The preamble of love is a target on a sheet,
the sheet becomes a bullseye on a wall,
while the guard dog sniffs, his master pouts,
the FDA nurse shouts, “Meds only! Meds Only,
If that doesn’t mean you, lock yourself down!”

Lefty leaves the big metal door open, to resist
is to enhance sanity and salvation. The clamp
may disfigure his hands, yet he abstains, feigns sleep,
waiting for the breathy dream of the whore
to dream up sex, slithery and sleepy,
shaking off the conspiratorial frame,
from the other side of the door.

Quantum Quandary

Great poetry is a failure
Of perception

Great perception
Is a failure of poetry

Great failure is the poetry
Of perception

Failed greatness is
The perception of poetry


11.1.18

Eleven Poems from a Town by the Sea at a Time of War



The Trouble With Laundry

The trouble with laundry
Is that I let you see my soil
And you told me I never
Learned to fold.
Now I fold in my own way

On a windy Sunday morning
After a short drive to see wave caps break:
I got home, turned off the car, and sighed,
“I’m free.” No more technology.
Then I went down to my dank cold cellar,
Hauled a blue laundry bag over my shoulder
And pulled taught its string. I skipped a peace
Down the hill to the ’mat, remembering.

It isn’t easy being clean, this much I need to see.
Can’t even tie my own shoelaces. It’s a motherless thing.
But more than that, this ongoing entropy
Is a shudder in the halt of who I will ever be.
I have to practice the art of being slow.
Around me now even the tossed churchgoer,
The hurried newspaper I never completely read,
Forgets to know.

And somewhere back
In the long gone dung of my brain
I recall a bum who called himself, “Change.”
He told me about what it takes to survive,
A laundry list better than at least three
Commandments. The first was sleep,
A good night’s sleep, and a place to bathe,
A post office box, and you can always
Stay warm in the library (which is why
Many destitute men are so well read).
But more than anything else,
A place to shower the baptismal self,
And a laundry, now boy, that’s the key.

I enter the rows of circles and machines
And carefully pry my prickly dirty things apart.
This takes so much care, Oh God, the anguish;
My shoes are untied again. My mother gone,
My father isolated in a city of noisome dream.
All things I failed to learn, I’m really learning
Laundry now. I crawl a pace, buying
A little orange box of sandy blue and white soap.
My dirt is the cause of a loss of no small fortune.

Then I remember to take out the change
From my pockets, I’m richer than I think.
Small wrappers and pocket tumbled follies
Spill into my hand. I’m just a beat up shirt
and wreckage in the wrinkled land.

What else, there’s this: The little shortcuts
I learn from making mistakes. Not my mistakes,
So much, but the machine’s.
Not so much the machine’s mistake,
But a failure to meet the tumble dry
needs of man. Redemption goes on a spin
and returns again as you fumble for buttons
at the bottom of the pan.

Then I wait. Then I wait some more.
Then I walk down the street, smoke,
Buy a fifty cent piano for my daughter’s
doll house. The wind up part still plays,
“Memories of the Way We Were.”
I wince but I do not weep.
My laundry is my dirt to keep.


Cat and Andrew’s Ring

Your ground is weeping
The humid air soaks
Wrinkles into all my
Categorization. I am
The air, ever changing
And it’s easy to see
How my inability
To be ever present
On the earth
Is enough to send
You beneath the surface.

He was a fair-faced man
With a smooth baby face
And a soft tone of mouth
That would easily shatter
But he could shatter none.

They bought a wedding ring
And experienced love
Well before the mildew
Of everyday things
Could wear the heat away

She would talk talk talk
About the little things
I couldn’t see, or believe
My wind heart hardened
Into storm clouds
Into a rain of gloomy
Terror in a private sky.

Mostly I was jealous
But realistic, knowing
Love is a survival game
Old as the dirt and sun
And if for just a while
I consider the trees
As I blow through in ill ease
Of temperature and pain
Let me for just this once
See the majesty
In the impermanent
Pebbles, and in tenderness
For just this one day
Of weather, remain.


Ipswich In a Time of War

Rebuilding a doll house
Piece by piece
Little wood beams
Adjustable walls
Suitable for child safety

Out on the street
Flags at half mast
Raised after one official
Week of mass mourning

Cinematic violence
Blowing a red leaf
Through the dented car:
You know,
Our separation
Is bigger than
The both of us

We are memory,
Clinging, clutching
And a prayer
Each stranger
We meet have
The same stones
Of shock
Eye to eye


Birth Canal

Before I was born
I was an anxious
young man.
A premature baby
Crawling in a toxic
Sea of sand.

Oh harsh light.
Oh mother. I left
You for this?

The panic I feel,
The destruction
that saves me,
Is older than I.

Now my birth
Is wearing me out.
I leave the birth canal,
And looking back,
Am born again.

Which is why
Creature comfort,
The soft, wet womb
Is a fire that lights
A furnace beneath
My eternal arse.

Which is why
My escape imprint
Has been lifelong,
A pattern to understand,
Address and alter.

So I don’t gasp
For air in your
Loving arms,
Or take the back door
out the burning fort.

Boston Harbor

So I descend into the dark city
Beneath the sea
Singing and swimming
Asking, to myself
Why do I want to go
Down there, the deep diver,
saying, to the first fish I see,
“Jeez, my wife says
I gotta quite diving
Or she’ll divorce me.
God how I’ll miss her.”
Then I return to the surface
All mangled from the currents
And dodging sharks and seaweed,
Navigating by sun streams
Of electrical light through
Green eddies and mysts of mirth
All wrecks down there,
Oh lord, I know. A lot of them.
And sunken treasure, too,
But not much worth taking.
A lot of it is heavier than whole
chains of rusted anchors.
My tanks of air get clanking
Silly, all choked up and gasping.


Sanctuary

Alone in a one-room sanctuary
A girl wants to give me a TV
And I resist
I say no, I need to hear, well,
More like filter through
To find
The voice
Of myself
In my head

Life in war sharpens senses
And I am well prepared
All stocked up
On shock

The city is a skin
I embrace or feel
Or shed, depending
On what time of day

A leaf falls outside
My window
I take this
as a good sign

Everything amuses me
And the ephemeral
Clutter of my life
Reminds the voice
To remember
clearly


The Fire Mound

Stand on this mound of stone.
Look around. Energy is fire,
And fire is everywhere.

You are afraid of fire.
Do not worry. A fire hydrant
Stands nearby.

Controlling mechanisms
Are everywhere. Public
Safety is ubiquitous.

This quarry is holy land
Overlooking the city center,
Once a great seaside harbor.

Mitigating factors include:
One park sign full of don’ts;
A church, an Odd Fellows hall.

We tolerate witches now.
They, too, are needed:
Human spirit pushing up.

The fearful want to burn us both.
Hot and cold is the way. No matter.
We walk the stones, simmer down.


Your Moral Authority

O haughty hard one
Why add to the troubles
Of the world?
Seems to me all vessels
Draw from the same well.
Your pinched fundamentals
Squeezed me out
Like a pressurized pop bottle
At an impossible altitude.
And as you fret and threaten
And beat me over the head
With a sequence of sequined
Dreams, a Bible black.
Your lesson of God’s love
became a lesson to avoid,
an institutionalized
classroom, a system,
a lie. Better to live
with plastic forks
than silvery knives.
Better to walk
In the rain and woods
than put on a hood
and cover my eyes.
All winds blow
From the same
Direction. This much
I know, this much
Is wise. Self-same for me,
Prophets and gunmen,
Cathedrals and wives.


Deirdre of the Sorrows

Hello. You must be Deirdre.
Don’t be scared. I stole your name.
I’ve been looking at you.
Stunned me, really, yes,
I know, even without
Your makeup on. All
Tumbled red lock
And breasts as in
The promise of an
Unfortunate evening
That never lets go.
Even without makeup,
Jesus, how they cheat us
With paint on the face
And the faint memory
Of the afterglow. Deirdre,
You become a slick magazine,
All shiny and glossy,
Tantalizingly so. But then
I get inside and struggle,
Swimming upstream
Like a salmon, working
Toward a deadline
That never ends.


Cops and Lovers

The first
casualty
of love
is war
Irrational
bonding follows
Whole families,
Neighborhood
policemen
embracing
the big lie
And when the truth
is gone
Nothing left
but a cubby
Little hole
Where God
is the last safety net
a security,
a delusion
We need
like light
in the darkness
as love dies
with a whimper,
when you really
need a bang


The Time Capsule

My car is covered
In autumnal leaves,
Stuck wet in the morning,
Wind-plastered, reds, yellows
And faded brown bumper stickers.

My car is just me, being natural.

Your car has a tempermental sound,
A whine, just coming from the hood.
Runs hot, and oh how it purrs.

Another’s car is a time capsule
On the passenger side.
These crates of care,
Being all that we are
Or ever will be.

Coffee cups, papers, flyers, books
We’ll never finish reading,
Crumbling crackerjacks,
All the things we’d rustle around
To fix in shame, because nobody
Wants you to see their dirty car.

My car is clean, ‘cept for the ashes
That have gone out of control.
Leaves just blow through
And I leave them there, amused.

My time capsule is tapes and little scraps
Of nature. Once, I just threw everything
Into a pile because I was consciously
Concealing myself. No more.
I just open the door. Let nature ride
On the passenger side.

When the plague or atom bomb
Or sun burns out, some future
Archeologist will be able
To read us this way. That is,
If we are truthful
To our car carpets.

28.12.17

Hello Apollo 13 (For Coyotes in Space)


Houston, you've got a problem.
You've got the horizontal covered
but the vertical is all askew ...
Are we reading? Likely not.

Our capsule has gone cold
since the Major kicked out
the front door window
and our view of your blue world
is cracked and the light is scattered.

Could you please explain
what that stream of smoke is
from the coast of Southern California?
Our instruments indicate the place
is unsuitable for landing.

It comes down to this:
Why the hell did you send us out here
when you knew completely fully damn well
this great abyss isn't even friendly
for penguins or polar bears?

We demand an answer
before we allow you
to bring us back.

Nobody told the retrograde of Mercury
 it's no longer in force.
It appears your sphere
is going off the golf course.

These times demand a certain clarity
and all we can hear on our horn is clatter,
as if the mind doesn't matter
and gravity is up for debate
and the whole Earthbound sideshow
is frozen over in hate.

So please don't delay,
our cabin is iced in, buried in snow,
and we'd all be better off
pointing our controls
as we hope for the trickle down,
the hydrating taste of icicles as they melt,
the warming hands of love
in your polyester-made Chinese
beaver pelt.

*Yes, I completely lifted this line from early period Pink Floyd.



14.12.17

RESILIENCE (For the Disappointed)


You have fought to now,
and though now may not
be fighting for you,
your energy is eternal,
and so, there is nothing to fear,
the flesh and the bone and the tears
are the witness to the Creator
of your cares and woes,
so don't ever be afraid to speak out,
to let the thunder roll,
the passion and the patrol
as you walk this world,
stuck within the illusion of gravity,
stuck in the tenebrous web
where justice or just one friend alludes you,
with all of the manacles they attempt
to put on your mind, which they will never
be able to read, your one last truth,
as you pluck the feathers from your mouth,
the stale taste of death and lost love,
as you run the ever increasing treadmill of acquisition,
as you can barely see in front of you, know this:
the circle is there for you to step out of,
and so you are both timeless,
and not of this Earth.

17.11.17

Looking for God Both Inside and Out (For Joan of Arc)



Meanwhile, at the Gothic Art show,
where the library of Alexandria
has failed to burn down,
due to better security
and more available stone,
the question gets asked,
but there is always a chance
for a follow-up question
and the mysteries are further
along, which is to say, more science,
less so magic ... but why roil of crosses?

Why is it written down at all?
Why was it written, or read, upside down?
Why should a Book be painted in two-thirds,
Magdalene in richer surroundings,
revealed with a pot of Lily
in the foreground to foretell
the coming and going of Joan of Arc?

Why would God need to read down,
creating the need to leave the Book
pointed up in order to ascertain
that which the Creator already knows?

In the Book of Kells
the Gaelic kept 
the coming and going,
waiting to leave and weave
out in a swirl of possibilities,
in a dervish tree-mind of Nature ...

O, how such details are wasted
on Jesus believers in a hurry
to get home to watch the Dallas Cowboys
down from above ... They, who have found
such easy answers on the surface, maybe a halo,
a hoot, in the institutions of the arts,
who drive their hairy chariots
across the bones of the Blood
of Jesus, always the little boy,
always the Man, the Saint!

O sure, O sure,
the Iris isn't Eris
for sorrows or such fools,
for neither minnows or Bulls,
for the peacocks or for Pride,
or for Paradise
or for the Google
of the mind ...

For Fibonacci?
For factories in Flanders?
Do we blame the Dutch ... really?
The Dutch? And speaking of towns,
tongues and virgins, unchurched,
but, all the same able to act
quite natural, but hidden from sight
in those visceral bones of sacred light,
the arcana of the Black Madonna
in from views but taller than them all
in the geometric sacred Twin Towers
of Solomon ... for Hieronymous Bosch,
who liked the challenge of harbors
in disorders and hidden orders
to synthesize the Dhambala,
the Sirius, the Dog Star ...
in order to ask O why, o why
or why ...

14.11.17

Los Huerseros (The Bones)


Laying down his bones 
in the back alley 
of the dispossessed 
the lonely man shivers 
in the streetlight 

Ambushing archers, 
waiting in the wood, 
keep a keen eye 
far into the distance 
for the enemies 
of love 

She picks up his bones 
breathes flesh from her stone, 
but then walks away, 
stinging his skin  
with a slap to awake him 

Leaving his bones, again ... 

Le Heusero died again, 
and he lingers here, 
beneath this tree, 
as the corridor waits 
to hear the song 
of the beautiful woman  
whose legend is told 
from hill to hill, 
mountain to mountain, 
sea to misty sea.

9.11.17

SECOND AMENDMENT BLUES (Sung to the Melody of Sympathy for the Devil)


Please allow me to introduce myself
I'm a man with guns and ammo
but my only weapon is the word

I don't own a gun
but we can't trust
the government:
So I don't own a rifle
that much more

I've got the Second Amendment blues
don't feel no safe cause I pay attention
to the news

I've got no wealth, poor as hell,
but I taste great
and my fire is in my fingers,
my hate is just a waste

No man owns the sun,
but the moon? On the run.
Pleased to meet you, Son of Sam,
and you, angry young man,
holed out in your barnominium
because your friends and loved ones
can't even drop a line
so you play World of Warcraft
on your long drawn out overtime

I've got the Second Amendment blues
You don't feel safe cause you pay no attention
to my views

Fancy guitar part goes here
Here goes part fancy guitar
Part here goes guitar fancy
I'm just saying no to you, Nancy

I am the dead man in your church
and I am bleeding on your daughter
There ain't no rhyme or reason, Sam,
because a well-trained weapon of war
is what they paid me to be and I am
So when I came home, far from the slaughter
the whole unified field theory thang
just made too much sense to me
So I became the chicken come home
to roost to show you what you made of me

I've got the Second Amendment blues
And your silencer is my guard duty
I've got a stolen secret in my shoes, bomber
I've hired my own lawyer to be your judge, Judy 
Tell my dad he should have listened more,
and tell my X she was the best

I've got the Second Amendment blues
You can't be safe cause you locked me
behind the door and I just took the cue

Oooo we ooo. Ooo e woo. Woo woo woo.
Woo woo woo. Ooo e woo. Oooo we ooo.
Ooo e woo. Woo woo woo. Ooo e woo.

1.11.17

TRESPASSING IN AMERICA (For Dennis the Menace)



Walking toward the phony duck pond
made in a one-pony subdivision
in some desert in Southwest America,
pit, plotted, planned, cheaply
made by a dishonest developer
who eventually rotted in a jail cell
for a lie told to rich old maids in NYC
because he had promised lakes
pumped from a river, rotting dry,
like the pond now, where geese
have gathered and school busses pass on by
along winding roads
lacking sidewalks, lacking
thoroughfares for little children
who would be O such a shame
if run over by said same school busses
because there's only one pond
now and empty electricity boxes
still haunt the highways lined
by properties illegally lot-split
by old Ned Warren; he who
made a mint, who sent postcards
back East promising paradise
to a lie, no, overstating,
but nevertheless sold out by some
now laying duck in Washington D.C.


But you he are who walks, talks tax-paying duck
now, that Walmart greeter,
and today I found
the most previously
nasty thing I'd ever written:
That senior citizens
were considered to be
the most dangerous
creatures on Earth
because they have
a piece of paper
from some laying duck
in Washington D.C;
but this book, see,
Freakanomics,
(so now I have independent confirmation)
also made a mint
with such carefully
rendered lines
as "superpredator
versus senior citizens,"
thus making its mint
and, of course, target market


We walked toward the duck pond
wolf hairy, feathered, lined with brown scum,
candy bar papers, car parts,
beer bottles, broken plastic
parts of Pez dispensers,
left by school children
who could now give a fuck
because their daddies cheat
on tax returns sent to other
cheating fucks who could
also give a shit about you, me:
I've got one blank sheet of paper
downloaded from a Web
made of ether, all created by
one lying duck in Washington D.C.


The pond is peaceful now except
for honking echoes of bright green mallards
who haven't yet turned greedy by little old
men who run the world,
throwing out bits of bread from porches
overlooking fenced in portions
of an artificial landmark, made of water,
promised to them, or, people like them,
who were once promised refuge
by long-dead Ned Warren
that such villages along the Verde
lined with steppes still cluttered
by Apache hand bones still clutching
single pieces of paper signed by
some laying duck in Washington D.C.


Property. Property. Prop. Prop ... er, Tea.


II


I've got a stack of papers
I can't get to because the one
I love goes into fits of grief and rage
over invisible digits of cash
that disappeared into said same ether
and now those lone gone meat locker loins
must be beefed up again to make up
for the losses caused by greed-head Bernie Madeoffs
who lied to little old ladies and mere millionaires
also rendered lifeless by empty promises made
on eight-by-eleven sheets of paper
signed by laying ducks in Washington D.C.
and not one damn sheet on the dirty old paper pile
will ever work in my favor, so why bother?


Property. Property. Proper tea.


And turning off the rounded lanes,
we have ourselves a polite little party,
laughing ourselves into parties
celebrating the quail who slip in and out
of artificial worlds
lacking sidewalks, where we find a well-worn
trail trod by anarchist atheists misled to believe
there is no god when in fact there is, but, hell,
they are actually referring to the demiurge churned
into trash lining the bone-dry portions of the pond,
perfected into a beautiful life-saving reality
made easier to believe by some duck who lied
in Washington D.C. ... but the dead can be brought
to life no easier than the muck can be raised
to rinse the once-clean waters of the Verde


And off the road, where the Mustangs and Escalades,
made mavericky,
speed on by,
rolling on gasses, endangering
school children, lacking sidewalks; who run
home to play on point-and-shoot games
because there is no place to play
in the faux hopes made by grey old men
who promised paradise to little old ladies
in Washington dee see of we sing ... off the road
there's this well-worn trail only misfits
like me can see or be and she now crouches
to peak into the weeds and sage to hear
the cackle of pheasant hens rendered
accelerating life force made mad by the Sun,
which is overheating now, in mad pulse paces,
mixed in with Venusian skies, pitiless star gazes,
and we move on between properties, made proper,
by little pieces of paper, now lining cages,
feeding parrots who repeat perfect truths
made so by Madeoffs advertising safe acres,
security mom spaces, relying on promises
made perfect by little pieces of paper kept sacred
by men who lie daily from remote high places
in Washington D.C. ...


Property. Property. Proper, E.T.


III


Among the many mistakes I've made
in my life is turning right, instead of left,
up this well-paved hill leading to
a manicured driveway ... So she,
who hasn't been outdoors for a month,
who might start screaming at any point
of the day because she, made of soft flesh, saintly blood,
is roiling with so little electricity in her head
her once-brilliant mind can only meekly protest
my attempt to blaze a new trail up this steep incline
leading to a canyon, along the steppes, along the Verde


And this Walmart greeter pops out from behind his usually locked door,
now doubt interrupted from watching Poppa rail and bleat
about how property is the momentary might ruining
the likes of me because only I ever saw the truth of a possible
pathway that, if placed into the hands of currently more
enlightened civic minds might form task forces
to imagine places where children might play
and both little old ladies in electrified golf
carts might pass as easily as javalina family trios
and rolling hungry hordes of courtly coyotes, but no,
the Walmart greeter has to pop out, a Jack of his box,
to ask me, "May I help you," inferring later, in review,
masked hostility, happily rendered now at me, a happy target;
and now I turn my back on his perky little puppy
barking out orders made possible
by a little piece of paper signed by,
this shit little paper signed by ...
this fucking shitty lie made perfect ...
I turn, the sudden wolf, and Toto runs away,
and big Him me, who saves the day
has his own damn sheet of ether now
along with the memory of this proper path
where there is a canyon made of crayons of what I know
about eight-by-eleven sheets of paper
signed by ducks who lie daily
in Washington D.C.

31.10.17

All HALLOWS EVE (For the Fleet of the Damned)


I met a girl who sang the blues
and then she walked off
the very face of the Earth.

So good old boys,
drink your whiskey and be wry,
see through your red-shift in thine eye,
the blue-shift in the American pie in the sky,
your lie is no pie, no water and no rye,
and no life is for no foolin'
in the world your rulin', the orb your ruinin'.
Because death is a happily dead peasant
I know, there is nothing more unpleasant.
No bigger lie, bigger no reason
than to keep ourselves
from just being amusin'
at the electro-chemical,
metaphysical union,
this revolutionary season.
It's all just layers
and layers
inside
one
big
onion
leading
to a mattress
sale on your tv,
and underneath there's a pearl
in a movie about a whale
and an old pirate guy with TB,
and from there he sailed
the underworld surfer's beliefs
and found the secret in his tea,
that the bones be they
and they be she,
and God's Black Madonna,
is the greatest
revenge
in never-ending
human history.


Seventy Two Hours as a Social Darwinist (To the Sound of Cyberpunk We Go)



Spent seventy two hours as a social Darwinist 
Gotta get ahead of you (Seventy two hours) 
Seventy two hours as a Social Darwinist 
Gotta get an edge over the loss, 
vengeance is hip you know 
Gotta get a handle on the guilt I miss 
gotta get a multiple set a girlies to kiss 

Spent seventy two hours as a social Darwinist 
Gotta get over you (seventy two, seventy two, seventy two hours) 
Seventy two fucking shitty hours as a Social Darwinist 
As you tried to convince me of your Know Nothing bliss, 
I let my eyes look away, if for just a minute (Seventy two, seventy two seventy two) 
Being anti-social ain`t darlin little Darwin 
You won`t like the feeling, your empty hand will be shaking (seventy two, seventy two) 
Won`t like the smell as the whole world is quaking (seventy two, seventy two seventy seventy seventy two) 

(Refrain) 
On the third day I flew across the sky 
rebuilt the temple of love, I did pray 
Sure, I fell, makin` a hell of her heaven, 
and man O man let the bunker busters fly 

I ran for cover, O sweet Sweet Twenty Three Skidoo


(Twenty three, twenty three twenty three skidoo) 
By the sixty-ninth hour as a social Darwinist 
I ran for cover, looking for the way you look at me, 
hoping and I`m praying to look up to you. 

(Jaggedy Guitar riffs here) 

Three more hours as a social Darwinist, 
for just three days I forgot about you (seventy two, O, seventy two, yeah) 
Seventy two hours of living from your hand to my fist 
Separate but equal, sure, gotta get a step on you. 
Treated every living thing like my private little toy 
Dreamin of the cosmos now, when I was just a boy (Darwinist) 
Wore your love like a glove but there was no joy (Darwinist) 
Gotta get around these blank walls, gotta get over you (Darwinist) 


Being anti-social ain`t darlin little Darwin
Being anti-social ain`t darlin little Darwin
Being anti-social ain`t darlin little Darwin